Check out these women wear scarf images:
Poetry Thailand Lost In Homeland Rossanee Nurfarida 9
Image by OXLAEY.com
The poet, Rossanee Nurfarida, was born in Thailand’s so-called “Deep South”. Her first collection of poetry ‘Far Away From Our Own Homes’ was a Finalist for the 2016 South East Asian (SEA) Writers Award.
DONATE to the OXLAEY project: www.indiegogo.com/projects/oxlaey-a-travel-magazine-for-a…
Not only does Ms. Nurfarida’s Muslim hijab standout in Thailand, a country made up predominantly of Buddhists. Her verse also tacks a daring course, pointing out how religion can divide the Thai state, communities, and lovers. While most Thai poets have been men employing strict rhythmic structures, Ms. Nurfarida words express a modern woman’s perspective composed in free verse.
In 2017, OXLAEY’s Ryan Anderson interviewed Nurfarida (in English) about her work and the poem, Lost in Homeland. You can watch an unedited version of this interview on OXLAEY’s website.
Nurfarida: My name is Rossanee Nufarida. This is my pen name. I live in Hat Yai, Songkhla, in southern Thailand. I love to call myself a storyteller, because I like to share what I see, what I feel, what I think.”
Anderson: Why do you use a pen name, rather than your real name?
Nurfarida: My real name is Rossanee Kaesaman. Kaesaman is my family name. Do you want to know the real story? The truth is that, when you say I’m from this family, they will know where your hometown is, who is your father, who is your mother. So I want to protect my family. My dad saw the cover and asked me, ‘why are you this name’?
Anderson: Can you describe your clothes?
Nurfarida: Everyday when I go out from my home, I wear this scarf. We call it a hijab. I want to show that Muslims can do everything. When I wear hijab and I work, people are amazed when I interview them They say you are a journalist in hijab. In Thai society, Muslims are like second-grade people. Islam is not a bad thing for this land or this country. I don’t know what the problem is between the religions or different way of thinking, but finally I found that they don’t understand why. Why we have to do this. Why we can’t do something.
Anderson: What was going on in your life when you wrote “Lost in Homeland”?
Nurfarida: [There were] three things in that poem on my mind. The world situation, the refugees like the Rohingya, or another group that has to move. The second is the Thai political situation. The third is, sometimes I feel lost in my own home town. I go somewhere I know. I stand together with others, but I still feel lonely.”
Anderson: How is your poetry different than older Thai poets?
Nurfarida: The old Thai poem style, they have a rhythm. They have strict syllables. My style is free verse. There aren’t syllables or rhythms.
#orangetheworld – Burundi
Image by UN Women Gallery
Many members of Parliament wore a scarf during a Parliamentary session to display their commitment on the fight against Violence on women and girls. This was very timely as we are currently actively advocating for a new law on VAW – that is being reviewed presently at the Parliament.
This year, to galvanize action to end violence against women and girls around the world, the UNiTE to End Violence against Women Campaign aims to “Orange the world.” During the 16 Days of Activism against Gender-Based Violence, from International Day for the Elimination of Violence against Women on 25 November to Human Rights Day on 10 December, “Orange Events” will take place around the world.
Photo: UN Women Burundi
Roussillon Day 1 Beziers
Image by dvdbramhall
Beziers – square outside Ancienne Cathedrale St-Nazaire – the restaurant where we had lunch: La Table Bretonne. French woman in full sun at 30 degrees, still wearing a scarf.